The design system Pentagram created allows the Academy to become a confident and sensitive author of all its visual material.
With this chameleon-like nature, the symbol adapts to its surroundings, sometimes strident, other times refined, but always relevant to the story being told.
Founded in 1768, the Royal Academy of the Arts is one of Britain’s oldest institutions, with a mission to support, promote and create visual arts through exhibitions, education and discussion.
For Pentagram, creating a new identity for this 244-year old institution was about being sensitive to the past, bringing authority to the present and creating a foundation for a confident future. Pentagram worked alongside Jane Wentworth and Will Dallimore at the RA on the strategy and communication of a new identity. The challenge was to produce a set of design principles appropriated from the RA’s history but expressed in a modernist form, and to develop a visual language that would not be lost in the background but could also stand with authority in the foreground.
The design system Pentagram created allows the Academy to become a confident and sensitive author of all its visual material. It takes its lead from the institution’s history, with the core typefaces, Caslon and Akzidenz, illustrating graphic nuances from classical to modern, and the new, typographical RA symbol inspired by type forms from some of its early posters.
With this chameleon-like nature, the symbol adapts to its surroundings, sometimes strident, other times refined, but always relevant to the story being told.
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